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    Case study · Benissa · GAB hall

    An exhibition you listen to, piece by piece.

    Centre d'Art GAB in Benissa places two NaviLens codes next to each label —artist intro and work description— so any visitor can listen to the group show in 42 languages.

    Centre d'Art GAB hall in Benissa with dancer sculpture, painted reproduction and NaviLens code next to the label

    Benissa

    Municipal exhibition hall GAB

    Group show

    Painting, sculpture, photography and textile

    Artist + work

    Two NaviLens codes per piece

    42

    Languages with voice readout

    The client

    Centre d'Art GAB
    — Ajuntament de Benissa

    The Centre d'Art GAB is the municipal exhibition hall of the Ajuntament de Benissa, in the Marina Alta (Alicante). It hosts temporary programming of painting, sculpture, photography, textile and mixed-media work by local and international artists residing in the region.

    To open its cultural programme to any visitor —residents with visual disability, the elderly and the area's significant international tourism— the hall adds NaviLens next to the traditional labels: two codes per work, one for the artist intro and one for the technical sheet of the piece.

    § The challenge

    Let the hall speak to everyone.

    1. 01

      Small labels, long texts

      Traditional labels next to each work force visitors to get very close and read tiny type. For people with low vision, the elderly or visitors who do not read Spanish or Valencian, the artist and work information is inaccessible.

    2. 02

      One hall, many artistic languages

      The GAB group show brings together abstract painting, ceramic sculpture, textile, photography and mixed media. Each piece needs its own context —technique, year, materials, author's intent— without saturating the wall or breaking the exhibition silence.

    3. 03

      An accessible layer, no works

      Centre d'Art GAB wanted to add universal accessibility to its municipal hall without installing screens, audio guides or cabling: any visitor with a phone should be able to listen to the information of each piece instantly.

    Textile tapestry by Encarna Soler with two NaviLens codes next to the label at the GAB hall in Benissa

    § The solution

    Two codes next to each label.

    Every piece in the group show carries two small NaviLens codes printed next to the label. The first contains the artist intro; the second, the work sheet (title, year, technique, materials, dimensions).

    Pointing the free NaviLens GO app from several metres away, the visitor hears the information in their language. The accessible layer respects the original mounting and is printed and stuck in minutes.

    § Timeline

    From label to accessible hall.

    1. Mounting

      Two codes per work

      Next to each artist's printed label, two small NaviLens codes are placed: one with the artist intro (bio, trajectory) and another with the work description (title, technique, year, materials).

    2. Opening

      Accessible opening night

      The public opens the show with the free NaviLens GO app: pointing the code from several metres and hearing, in their language, the information usually hidden in the label.

    3. Today

      Replicable model for municipal halls

      GAB proves any municipal exhibition hall can be accessible without works: just print and stick two codes next to each piece to multiply the reach of the cultural programme.

    § Walk-through

    Works of the group show, one by one.

    • GAB Benissa — Mireille Getemli — La bailarina · NaviLens

      Sculpture + painting

      Mireille Getemli — La bailarina

      Bronze sculpture and painted reproduction of the dancer on a woven sphere. Next to the label, the NaviLens code narrates the piece and the artist's trajectory.

    • GAB Benissa — Gloria Aguilar López Palaez — Papá · NaviLens

      Sculpture + paper

      Gloria Aguilar López Palaez — Papá

      Ceramic female figure holding a hand-written poem. Two codes —“Gloria Aguilar Obra” and “Gloria Papá”— let visitors hear the poem and the author's intent.

    • GAB Benissa — Michelle Howlett · NaviLens

      Wall sculpture

      Michelle Howlett

      Wall sculpture in reddish tones on a metal mount. The two NaviLens codes next to the piece identify the artist and describe the work without needing to read the label.

    • GAB Benissa — Rita Rae Mertens · NaviLens

      Painting + installation

      Rita Rae Mertens

      Large-format canvas accompanied by sculptural heads in red, ochre and marble laid on the floor. Multilingual printed labels and a NaviLens code for voice readout.

    • GAB Benissa — Encarna Soler — Tapestry · NaviLens

      Textile

      Encarna Soler — Tapestry

      Hanging tapestry with embroidered roots and circular appliqués on a black background. “Encarna Presentation” and “Encarna Obra”: two NaviLens codes per piece next to the label.

    • GAB Benissa — José Juan — La taca verda (I) · NaviLens

      Abstract painting

      José Juan — La taca verda (I)

      Abstract painting in greens, turquoise and orange accents. The label next to the work includes two NaviLens codes with the artist intro and the technical sheet.

    • GAB Benissa — José Juan — La taca verda (II) · NaviLens

      Abstract painting

      José Juan — La taca verda (II)

      Second piece of the “La taca verda” series under a wooden-beam ceiling. NaviLens codes next to the label with voice readout in 42 languages.

    • GAB Benissa — Rosa Ay Marie · NaviLens

      Photography

      Rosa Ay Marie

      Large black-and-white photograph of windblown hair. Next to the panel, the NaviLens GO code reads the title, technique and context of the image.

    • GAB Benissa — María José · NaviLens

      Painting

      María José

      Large-format painting with a tangle of white roots on a dark background. Two NaviLens codes next to the label let visitors hear the artist's proposal.

    • GAB Benissa — Francine Porcedo — Mediterráneo · NaviLens

      Textile + cartography

      Francine Porcedo — Mediterráneo

      Fabric with embroidered heraldic shields and a silhouette of the Mediterranean in blue. “Francine Presentation” and “Francine Porcedo” codes to listen to the work and the bio.

    § Results

    A municipal hall for everyone.

    • 0 works

      Only two stickers next to each label

    • Voice + 42 languages

      Bio and description read aloud

    • Inclusive culture

      Visual disability, elderly and international tourism

    § What they said

    • “Benissa se esfuerza por ofrecer una experiencia inclusiva para todos. La playa de la Fustera y varios puntos del casco histórico cuentan con accesos adaptados, aparcamientos reservados y servicios especiales para personas con movilidad reducida, garantizando que todos puedan disfrutar de su encanto natural y cultural.”

    § And your destination?

    Your destination can also guide in 42 languages.

    Tell us about your routes, offices, monuments or galleries. We’ll show you how NaviLens would make your offer accessible —with comparable cases.