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    Case study · Cork, Ireland

    A gallery co-designed
    with those who can't see it.

    The Glucksman (University College Cork) integrates NaviLens in «Fashion Show: Clothing, Art and Activism» within the European BEAM UP project: codes at the door, on the curatorial texts and beside work labels so any visitor can listen to the room in their own language.

    Glass door of The Glucksman (Cork) with a large cyan, magenta, and yellow NaviLens code on a grey background welcoming visitors

    BEAM UP

    Creative Europe · 2020–2023

    €199,988

    Smaller Scale Cooperation funding (EU)

    29 Jul – 6 Nov 2022

    Fashion Show: Clothing, Art and Activism

    10 artists

    Berger, Framis, Gluklya, Sidibé, Tenant of Culture…

    Client

    The Glucksman
    University College Cork

    The Glucksman is the contemporary art gallery of University College Cork, open to the city and the campus, with a programme combining international exhibitions, the UCC collection and a strong education and community strand.

    Its Access policy states the intent to be an inclusive organisation, «especially for those who do not ordinarily access cultural experiences». NaviLens joins as one more piece of that policy, inside the European project BEAM UP — Blind Engagement in Accessible Museum Project, led by Cooperativa Atlante (IT) with partners MSU Museum (Zagreb), Istituto dei Ciechi di Milano and The Glucksman itself.

    § The challenge

    Letting the room explain itself to those who can't read it.

    1. 01

      A university gallery that wants to be everyone's

      The Glucksman, on the University College Cork campus, has built into its Access policy the commitment to open up to communities that «do not easily access cultural experiences». The question was how to bring that commitment into the actual journey of every exhibition.

    2. 02

      Labels and walls that only speak to those who read

      The walls of Fashion Show are full of curatorial text, work labels and artist biographies. For a low-vision visitor —or an international one— that wall is opaque if there is no alternative accessible layer.

    3. 03

      Co-design with visually impaired people

      BEAM UP was born precisely to «produce services together with visually impaired people», not for them. Any solution had to be activable from the visitor's own phone, without a proprietary app or special hardware in the room.

    Introductory wall of «Fashion Show: Clothing, Art and Activism» at The Glucksman with a NaviLens code beside the curatorial text listing the participating artists

    § The solution

    An accessible layer
    on every wall.

    Each NaviLens code is bound to a fragment of the show: the entrance, the opening curatorial text, the section walls («Fashion Statements»), the work labels of Malick Sidibé, Anna-Sophie Berger, Tenant of Culture or Alicia Framis. The —free— app detects them from several metres, at an angle and in low light.

    The visitor with visual disability hears the content in their own language; the international visitor can do the same without relying on English. All from their own phone, with no proprietary app and no extra infrastructure in the room.

    § Timeline

    From a European project to a lived exhibition.

    1. 2020

      BEAM UP starts (Creative Europe)

      The consortium led by Cooperativa Atlante (Italy) with MSU Museum (Zagreb), Istituto dei Ciechi di Milano and The Glucksman (UCC, Cork) receives €199,988 from the Creative Europe — Smaller Scale Cooperation programme to co-design the museum experience with blind and low-vision people.

    2. 29 Jul 2022

      Fashion Show opens

      The Glucksman opens «Fashion Show: Clothing, Art and Activism», curated by Chris Clarke and Fiona Kearney as part of BEAM UP. Alongside the introductory text, the inclusion of tactile elements and navigation/audio resources in-room and online is explicitly announced.

    3. Summer–autumn 2022

      NaviLens codes at doors, intro and labels

      The team deploys NaviLens codes at the gallery's main entrance, on the «Fashion Show» introductory panel, on the section texts («Fashion Statements») and beside specific work labels — from Malick Sidibé and Anna-Sophie Berger to Tenant of Culture or Alicia Framis.

    4. 6 Nov 2022

      Exhibition closes, model consolidates

      After 14 weeks open, Fashion Show consolidates the use of NaviLens within The Glucksman's BEAM UP model, which remains as a European reference for museum accessibility co-designed with blind people.

    § What they said

    What The Glucksman and Creative Europe said.

    • “Fashion Show is part of BEAM UP, a Creative Europe funded project to encourage the participation of visually impaired people in the planning and experience of museum activities. The displays will include a range of tactile elements, navigation and audio resources available in the gallery and online on our website.”
    • “BEAM UP is a project born to help museums to move from the production of services for people with visual impairments to the production of services done together with the visually impaired in the field of contemporary art.”

      The Glucksman — BEAM UP project page

      Creative Europe project 2020–2023 (lead: Cooperativa Atlante; partners: MSU Zagreb, Istituto dei Ciechi di Milano, Glucksman/UCC)

      Press: glucksman.org/projects/beamup
    • “Funding Strand: Smaller Scale Cooperation · Funding Amount €199,988 · Irish partner: Glucksman Gallery, UCC, Cork.”

    § Where the system lives

    Entrance, curatorial text and work labels.

    Wall of the Fashion Statements section at Fashion Show with a NaviLens code next to text about Anna-Sophie Berger and Gluklya, in front of a black and white photographic series
    Malick Sidibé artwork caption (The fake photographers, 1976 and Night of 31st December, 1969, silver gelatin prints) with a NaviLens code next to it, under two framed photographs
    Textile piece How to Style a Chore Coat (series), 2020 by Tenant of Culture, hung in a room, with its caption and a NaviLens code on the adjacent wall
    General view of the introductory wall Fashion Show: Clothing, Art and Activism curated by Chris Clarke and Fiona Kearney, with NaviLens code and mention of the Creative Europe BEAM UP project

    § Results

    A European room accessible from the door to the last label.

    1 app

    Free NaviLens — the same one as MTA, EUIPO or NIU

    0 hardware

    No extra in-room installation beyond the printed code

    EU funded

    Backed by Creative Europe + UCC + Arts Council of Ireland

    § And your destination?

    Your destination can also guide in 42 languages.

    Tell us about your routes, offices, monuments or galleries. We’ll show you how NaviLens would make your offer accessible —with comparable cases.