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    Case study · Zaragoza, Aragón

    A hallway, a school, a Renaissance museum.

    How the music department of IES Clara Campoamor Rodríguez turns the hallway into the Renaissance Music Museum: paintings, captions, braille and a NaviLens code next to every piece so you can listen to the explanation.

    View of the entrance to the Renaissance Music Museum of IES Clara Campoamor Rodríguez of Zaragoza, with the chalk sign, a NaviLens code and the panels of religious, secular and dance music in the background

    Zaragoza

    IES Clara Campoamor Rodríguez · Parque Goya neighbourhood

    Renaissance

    «Renaissance Music Museum» · Music Department

    4 panels

    Historical context · Sacred music · Secular music · Dance and instruments

    1 code per piece

    Every painting in the exhibition carries its own NaviLens with explanatory audio

    The client

    IES Clara
    Campoamor Rodríguez

    IES Clara Campoamor Rodríguez is a public secondary school in the Parque Goya neighbourhood of Zaragoza (c/ Eugenio Lucas s/n), part of the Zaragoza City Council's Educating City network.

    Its Music Department has used permanent exhibitions in the school's hallway as a teaching tool for several years: orchestras, auditoriums and, more recently, the «Renaissance Music Museum» documented on this page.

    The museum was born as an internal resource of the school —not a venue open to the general public— and uses NaviLens to add audio, reading for blind or low-vision students and a channel any pupil can use with their phone while walking down the corridor.

    § The challenge

    Letting the Renaissance be heard, not just memorised.

    1. 01

      Turning a corridor into a living classroom

      The Music Department's challenge was to explain Renaissance music —context, sacred, secular, dance and instruments— without reducing it to an exam. The solution: borrow the language of the museum and bring it to the school hallway.

    2. 02

      One resource for a very diverse student body

      The school is home to pupils with different paces, readers and non-readers in several languages, and classmates with visual disabilities or specific needs. Paper captions fell short: a format adding audio and accessibility was needed.

    3. 03

      Making the museum belong to the pupils

      The project had to be doable in class: writing the letters, mounting the frames, drafting captions and… generating and sticking the codes. NaviLens fit because pupils themselves can print, link and maintain the museum term after term.

    Panel «Danza e Instrumentos» with six framed pictures —instrumental groups, high and low music instruments, viola da gamba, serpent and clavichord— each with its NaviLens code and label, in the museum of IES Clara Campoamor

    § The solution

    One painting,
    one code, one story.

    Four panels —Historical context, Sacred music, Secular music and Dance and Instruments— organise the tour along the yellow wall of the hallway.

    Next to every piece sits a NaviLens code and, on some, a tactile braille relief. The visitor's app reads the caption aloud and lets blind and low-vision pupils take the same tour as their classmates, with the same information.

    § Timeline

    From the teaching unit to the permanent museum.

    1. Year 23/24

      «Renaissance Music Museum» kicks off

      The Music Department of IES Clara Campoamor Rodríguez frames the Renaissance unit as a permanent exhibition in the school hallway. Four large titles —Historical context, Sacred music, Secular music, Dance and Instruments— structure the tour along the yellow wall.

    2. Build

      Paintings, frames and captions made in class

      Every piece —from the Vitruvian Man and the Sistine Chapel to the clavichord, serpent, viola da gamba and the high and low Renaissance instruments— is printed, framed with golden cardboard frames and paired with a brown-ribbon caption and, in some cases, a tactile braille relief.

    3. NaviLens layer

      A code next to every piece

      A NaviLens code is stuck next to every painting. Aimed at with a phone, the app reads aloud the caption: title of the work, historical-musical context and curiosities discussed in class. Codes are detected from several metres away and enable an autonomous tour.

    4. Opening to the school

      Welcome blackboard + instructions

      A column and counter painted as blackboards greet anyone entering the museum: on the left, chalked instructions —«1. Download the NaviLens app · 2. In the app, aim at the code with your camera · 3. Enjoy our Renaissance Music Museum»— with a test code stuck on the column; in front, the title «Renaissance Music Museum» with a chalked lute.

    § On the ground

    The Clara Campoamor hallway, curated by its pupils.

    Panorámica del Museo musical del Renacimiento del IES Clara Campoamor Rodríguez de Zaragoza: pared amarilla con cuatro rótulos —Contexto histórico, Música Religiosa, Música profana, Danza e Instrumentos— y filas de cuadros enmarcados, cada uno con su código NaviLens al lado
    Panel «Danza e Instrumentos» del museo musical del Renacimiento del IES Clara Campoamor: seis cuadros con marcos dorados —agrupaciones instrumentales, instrumentos de música alta y baja, viola da gamba, serpentón y clavicordio— acompañados de su código NaviLens, cartela en cinta marrón y, en algunos, relieve táctil con braille
    Vista de la entrada del Museo musical del Renacimiento del IES Clara Campoamor Rodríguez: mostrador y columna pintados de pizarra con el rótulo a tiza «Museo musical del Renacimiento», un laúd dibujado, un código NaviLens de prueba y, al fondo, los paneles de Música Religiosa, Música profana y Danza e Instrumentos en el hall
    Detalle de la columna pizarra del IES Clara Campoamor con las instrucciones del museo: «1.º Descárgate la app NaviLens · 2.º En la app, apunta al código con tu cámara · 3.º Disfruta de nuestro Museo musical del Renacimiento» junto a un código NaviLens pegado para probar la app

    § Results

    «Download the app, aim at the code and enjoy.»

    Hallway

    A school corridor turned into a permanent museum of Renaissance music

    Audio + text + braille

    Every piece has a written caption, NaviLens audio and, on some, tactile braille relief

    Pupils = curators

    Pupils choose works, write captions, build frames and link the codes

    § What they said

    § And your centre?

    Every classroom and clinic can be guided by voice.

    Tell us about your centre, your journeys and your users. We’ll show you how NaviLens would make wayfinding easier.